Although I was first exposed to ceramics in my late teens in the Mediterranean when I visited workshops and museums, it was not until I started teaching art that I had to lean to work with clay.  I began to discover and study works by ancient cultures as well as that of contemporary artists.

 

I never understood why ceramics even today are often not included in fine art but in the category of Craft. Perhaps its the aspect of play and manipulation, something that comes natural from childhood, that makes this medium so attractive. I had no idea that I would fall in love with it. I never attended any formal training in working with clay but learned through research, observation and by collaborating with colleagues.  I began to make small works, maquettes and prototypes many of which were never enlarged.  I have always been drawn to slab and pinch techniques, something that was reinforced after attending some survey exhibitions of such artists as Jeanclos and Picasso. These experiences provided me with a creative licence to experiment with different types of clay, glazes and even glass all of which made me a better instructor and immensely productive and creative. This practice opened up the gate that allowed me to pathway into other sculptural medium as well as a synergy with other aspects of my practice.